Rolling Stone included her single “Umbrella” in its list of the “500 Greatest Songs of All Time” and her album Anti amongst the “500 Greatest Albums of All Time”. She is the UK’s third best-selling female artist of the 21st century, having sold seven million albums. In August 2018, Billboard ranked Rihanna as the tenth-most successful Hot 100 artist of all time and it also named her the top Hot 100 artist of the 2010s. She has accumulated numerous awards and honours, including nine Grammy Awards, twelve Billboard Music Awards, and thirteen American Music Awards.
Artistry
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
Songbook: An Era-By-Era Breakdown Of Taylor Swift’s Journey From Country Starlet To Pop Phenomenon
Although Jay-Z initially thought “Pon de Replay” was too big for a new artist, he invited her to audition. Rihanna’s demo was sent to rapper Jay-Z, who had just become the president and CEO of the record label Def Jam Recordings. In 2005, she became the first artist to sign with Syndicated Rhythm Productions, the production company founded by Rogers and Carl Sturken. Unnamed and without original material, the girl group auditioned for American producer Evan Rogers, who recalled that “the minute Rihanna walked into the room, it was like the other two girls didn’t exist”. Though she initially planned to finish high school, she ultimately dropped out at age 16 to pursue a music career. Signed to Def Jam Recordings, she debuted with the Caribbean-inspired records Music of the Sun (2005) and A Girl Like Me (2006), both of which reached the top ten of the US Billboard 200.
Redefining its titular term, the four-week chart-topper finds the husky-voiced T-Boz freely admitting to straying from an unaffectionate relationship, proving that the playa anthem wasn’t solely the reserve of their male counterparts. But the song itself did pip fellow superstars Prince, Billy Joel and Lionel Richie to the Best Male Pop Vocal Performance crown. Backed by some fast and furious fiddles, “The Devil Went Down to Georgia” tells the tale of a young musician named Johnny who bumps into Beelzebub himself during a jam session in the Peach State.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
That year, fans also got their first glimpse of the pop superstar alongside Sandra Bullock, Cate Blanchett, and Anne Hathaway in trailers for Ocean’s 8, a female-led spinoff of the popular Ocean’s Trilogy which hit theaters in June 2018. It also spawned the popular radio hits “Needed Me” and “Love on the Brain.” At the 2014 Grammy Awards, Unapologetic won Best Urban Contemporary Album, marking the singer’s first win in an album category. In November 2012, Rihanna scored her first No. 1 album with Unapologetic. The pop star delivered her next effort, Talk That Talk, in November 2011. Rihanna returned back and better than ever in November 2010 with her fifth studio album, Loud.
It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on. Swift doesn’t want you to get it twisted, though — this is an album about the life of a showgirl, not an album about being a performer. She’s no longer anxious in love (“Eldest Daughter,” “Honey”) and for the first time, she owns all of her work and is in complete artistic control (“Father Figure”).
Filmography
Elizabeth Taylor has appeared as a character in Swift’s songs before, particularly in rep’s “Ready For It…?” where she compares herself to the famous actress and entertainer. Comparatively, “Eldest Daughter” — track five, a spot Swift notoriously reserves for the most emotional song — is a love song about the masks we wear and the selves we choose to reveal. Throughout the record, dynamic and layered pop soundscapes mimic the same energy Swift was feeling both on and off stage. “I thought who better to ask to be a part of this song than the ultimate showgirl Sabrina Carpenter.” Instead of writing songs akin to “I Can Do It With A Broken Heart,” a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don’t necessarily see when they buy a ticket to a show. Now that the curtain is up and The Life of a Showgirl is out, read on for five key essential insights from Taylor Swift’s new album.
In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013). In 2023 she returned to the stage for the first time in some four years, performing at the Super Bowl halftime show. Included in the total were prominent collaborations with hip-hop artists T.I. The album that followed later that year, Rated R, much of which she cowrote, was marked by icily stark production and brooding lyrics that touched on revenge. With the effervescent dancehall-inflected single “Pon de Replay” (2005), Rihanna immediately captured an international audience.
Rihanna Marks 10th Anniversary of ‘ANTI’ With Record-Extending 8th RIAA Diamond Certification
A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for “Home,” a 2015 film she starred in alongside the “Big Bang Theory” star Jim Parsons.
Rihanna became the youngest and fastest solo artist in Billboard Hot 100 history to accumulate ten number-one singles. In late 2008, she released “Rehab”, the fifth and final single from Good Girl Gone Bad; it peaked within the top 20 of the charts in both the US and UK. The following singles, “Shut Up and Drive” and “Hate That I Love You”, saw moderate success, while the album’s fourth single, “Don’t Stop the Music”, peaked at number three in the US.
- She stayed away from public appearances, didn’t do any press, and missed the album schedule fans became accustomed to.
- Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
- Rihanna exclusively uses her surname for ventures outside of music to keep her business and artistic identities separate.
- The song was released on May 25, 2005, and became a commercial success, reaching number two on both the US Billboard Hot 100 and the UK Singles Chart.
- Just months later, Rihanna released her first single, “Pon de Replay,” which quickly climbed the charts and established her as a formidable newcomer in pop music.
- These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”.
Following the success with folklore and evermore, Swift’s intrigue was at a then-all-time high upon the release of Midnights. Although the album is a departure from the two pandemic sister albums, the overall creation process didn’t differ too much. On Midnights, Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover. After coming out of the folklorian woods following folklore and evermore, fans and critics alike were intrigued to see what direction Swift would take on her next studio album. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department.
- Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
- It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing.
- Rihanna officially becomes a billionaire and Forbes names her the ‘richest female musician’
- It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on.
- Incorporating an assortment of genres, the record featured the singles “Pour It Up,” “Stay” with Mikky Ekko, and “Diamonds,” which topped Billboard’s Hot 100 chart for three weeks.
Swift opted to lean more into radio-friendly hits, which resulted in songs like “Style,” “Wildest Dreams,” “Blank Space,” and “Shake It Off,” all of which became singles. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray, Swift’s confessional, soul-bearing authenticity set a new standard for straightforward pop music. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. Serving as a snapshot of Swift’s life and teenhood, she avoided songwriting stereotypes typically found in country music.
The dance-pop and R&B heavy record, which debuted at No. 2 on the Billboard 200 chart, featured several hit songs, including the singles “Don’t Stop the Music,” “Shut Up and Drive,” and “Hate That I Love You” with Ne-Yo. With its follow-up, “Our Song” — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. With the dance-pop set Loud (2010), she reflected on the fun she had while recording the album, incorporating ballads, party anthems, and empowering love songs.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”. That same month, betista casino the Official Charts Company reported she had sold 3.87 million records in the country over the past year, placing her at number one among the 2013 Brit Awards artist nominees. Rihanna’s seventh studio album, titled Unapologetic, was released on November 19, 2012. A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold. Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011. A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
Swift still remained in the pop lane with reputation, largely leaning on Antonoff and the Martin/Shellback team. She stayed away from public appearances, didn’t do any press, and missed the album schedule fans became accustomed to. For years, Swift was on a strict two-year cycle — she’d release an album one year, tour the next, and then release a new album the following year. In turn, Billie Eilish, Dua Lipa and more pop stars have refused to conform or stick to what they’ve done prior.
After exploring pop-leaning sonics she first found with Red, Swift worked with Martin and Shellback again on most of 1989. 1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences. In her liner notes, she references Pablo Neruda’s poem “Tonight I Can Write,” stating that “Love is so short, forgetting is so long” is the overarching theme for the album. From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.